In the first part of the workshop we will deal with two true masters of language who lived on opposite sides of history.
#Sonoros significado how to#
It’s a workshop on the mechanics of sound and meaning and a seminar on how to reach beauty with the raw material of words. Proposals can be sent in Portuguese, Spanish or English.In this workshop we will deal with words’ specific weight, their value as objects of sound and the way they transform as vehicles of meaning depending on the context in which they are set. Running time (in case of live performance) Īuthor(s) minibio of up to 100 words each, informing institutional affiliation (or main activity), maximum degree, occupation or area of expertise, city and country of residence. Technique/Format and a brief description of the necessary equipment The text must be formatted in Times New Roman font, body 12, spacing 1.5. docx) formats, stating in the subject of the email: “III CIPS – Artistic Proposal”. Proposals for artistic performances must be submitted by Januto the email in. Two types of works will be evaluated: “live performance” or “sound installation”. The III CIPS welcomes proposals for artistic performances that address or relate to the conference’s theme, “Sounds of the end of the world”. Indication of preference for online presentation (limited number of panels, only for authors from outside Brazil or from outside the Southeast region of Brazil).Ībstracts can be sent in Portuguese, Spanish or English. The document must include, in this order:Īuthor(s), their respective e-mails and institutional affiliation (or main activity) maximum title, occupation or area of activity, city and country of residence The text must be formatted in Times New Roman font, Body 12, spacing 1.5. The III CIPS will be predominantly a face-to-face event, but will offer the possibility of online presentation for a limited number of scientific papers (approved by the scientific committee) of authors located outside the Southeast region of Brazil or outside Brazil. docx) formats, stating in the subject of the email: “III CIPS – Abstract”. Struggles, Resistances, Insurgencies: Sound, Listening and Survival in a World at Risk.Ībstracts must be submitted by Januto the email in. Listening modes, signs and sound affections in times of capitalist realism
Technologies and production models: the sound project of late capitalism Ĭollective fear, emotions, media and music Sound identities: Post-coloniality Decoloniality Afro-futurisms Amerindian Perspectivism Sound ecologies: Anthropocene, creation and entropy Some of the perspectives, but not the only ones, that interest this conference are: The III CIPS welcomes proposals for scientific presentations and artistic performances. How do sound and musical cultures take a position, articulate, face and/or politicize themselves in the face of late capitalism and the Anthropocene? What do certain sounds and music teach us in these situations where there seems to be no alternative but to accelerate? Or what sounds need to be heard, which are ignored and which denounce the urgency before the end of the world? Anyway, what does it mean to hear the end of the world? In this sense, the III International Conference on Sonorities Research (CIPS) - Sounds of the End of the World seeks to highlight the sound aspects of our relationship with the world and with the transformations it has been going through. A new world emerges outlining its creative powers and its dystopias of control, automation and depletion of natural resources necessary for technological development. The end of the world means, of course, not only a nuclear or climatic hecatomb, but also the end of worldviews, models of knowledge or even cognitive, affective and social patterns. Climate change, pandemics, food shortages and wars are the result of the brutal exploitation of the planet, the struggle for control of natural and economic resources, as well as the denial of the ongoing crisis. In recent decades, we have witnessed changes on a global scale that can be seen as threats to human existence itself – threats caused by ourselves, as the Anthropocene theories demonstrate.
III International Conference on Sonorities Research (CIPS) –įluminense Federal University (UFF) – Niterói/RJ – Brazil
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